Published On: July 21, 2026

Focal Adds 28 New Tracks to Its Growing Studio-Mixed Playlist Series

Published On: July 21, 2026
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Focal Adds 28 New Tracks to Its Growing Studio-Mixed Playlist Series

Mixed on Focal #8 gives listeners a cross-genre collection of songs created with Focal monitors in the mixing room.

Focal Adds 28 New Tracks to Its Growing Studio-Mixed Playlist Series

  • Nemanja Grbic is a tech writer with over a decade of journalism experience, covering everything from AV gear and smart home tech to the latest gadgets and trends. Before jumping into the world of consumer electronics, Nema was an award-winning sports writer, and he still brings that same storytelling energy to every article. At HomeTheaterReview, he breaks down the latest gear and keeps readers up to speed on all things tech.

Most branded playlists are built around a mood, genre, or season. Focal’s latest collection takes a more technical approach by focusing on the equipment used behind the scenes.

Focal Naim America has released Mixed on Focal #8, a new streaming playlist featuring 28 stereo tracks mixed by nine engineers using Focal Professional studio monitors. The collection runs for approximately one hour and 40 minutes and includes music from 21 artists spanning pop, rock, metal, R&B, hip-hop, electronic music, and several other genres.

The playlist is now available through Apple Music, Amazon Music, Spotify, Tidal, and Qobuz.

The name does not mean that Focal has remixed, remastered, or otherwise changed the music for this release. Instead, every track was originally mixed by an engineer working with one or more Focal studio monitors.

Studio monitors are designed to help engineers hear problems that might be less obvious through conventional speakers. That can include overly prominent vocals, muddy bass, harsh treble, misplaced instruments, or effects that become distracting at higher volumes.

The monitors represented in Mixed on Focal #8 include:

These models cover several parts of Focal’s professional lineup. The Alpha Twin Evo is a 2.5-way active monitor aimed at a relatively broad range of studio environments, while the Trio6 and larger Trio11 are designed for more demanding mixing and mastering setups.

Focal Professional ST6 Twin6 2.5-Way Studio Monitors
Focal Twin6

Some of these monitors also include Focal’s Focus Mode, which lets engineers temporarily listen through a more limited speaker configuration. The idea is to check whether a mix still works when it moves away from a full-range studio system and onto smaller speakers. Focal’s Trio11, for example, operates as a full three-way monitor but can switch to a reduced two-way configuration for comparison.

“Focal Naim is uniquely positioned across the entire audio chain — from the studio where music is created to the systems people use to experience it,” said Yassine Zaim, Managing Director at Focal Naim America.

“With ‘Mixed on Focal’ high‑resolution streaming playlists, we connect these worlds, offering listeners a rare opportunity to hear music with the same precision and intent trusted by the professionals who crafted it. Spanning professional monitors, high‑fidelity loudspeakers, and headphones, this continuity preserves the balance, dynamics, and spatial intent defined in the studio — delivering it with precision and emotional impact.” 

Mixed on Focal #8 is not filled exclusively with softly recorded jazz, acoustic guitar, and the usual tracks that appear during audio demonstrations.

The artist list includes Alice Merton, David Archuleta, Aloe Blacc, Fletcher, Mötley Crüe, The Church, Dylan Dunlap, Blu, Alemán, The Barbarians of California, and Asking Alexandria, among others.

Focal Alpha-Twin-EVO Active 2.5-Channel Studio Monitor
Focal Alpha Twin Evo

Nine mix engineers contributed tracks to the collection: Bobby Campbell, Darrell Thorp, Leslie Brathwaite, Nick “Squids” Squillante, Rob Tavaglione, Eric Stenman, Michael William Levine, Jose Rios, and Mike Pepe.

That variety should make the playlist more useful for comparing how a system handles different production styles. A dense metal recording can reveal different weaknesses than a stripped-down singer-songwriter track, while electronic and hip-hop mixes can put more emphasis on bass extension, impact, and control.

Still, you should not expect every song to share a recognizable “Focal sound.” The tracks come from different artists, studios, engineers, and production periods. The common element is the monitoring equipment used during mixing, not a standardized recording process.

Focal describes the collection as a high-resolution streaming playlist, although the quality you receive will depend on the service, subscription, device, app settings, and version of each track.

Spotify now offers lossless playback at up to 24-bit/44.1kHz FLAC for Premium subscribers on supported devices. Apple Music, Amazon Music, Tidal, and Qobuz also provide lossless or high-resolution options, but listeners may need to enable the highest quality setting manually.

Your connection method matters as well. Standard Bluetooth playback can compress the signal, so a wired connection or compatible network streamer may provide a better way to evaluate the recordings.

Mixed on Focal #8 joins a growing catalog that includes numbered stereo collections, genre-specific playlists, and immersive selections. Focal’s official playlist page currently lists the new release as 28 tracks mixed by nine engineers on Trio11, Trio6, Twin6, and Alpha Twin Evo monitors.

Focal says additional playlists will be released periodically.

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